Richard Peterson

Bob has served as editor of In-plant Impressions since October of 1994. Prior to that he served for three years as managing editor of Printing Impressions, a commercial printing publication. Mr. Neubauer is very active in the U.S. in-plant industry. He attends all the major in-plant conferences and has visited more than 170 in-plant operations around the world. He has given presentations to numerous in-plant groups in the U.S., Canada and Australia, including the Association of College and University Printers and the In-plant Printing and Mailing Association. He also coordinates the annual In-Print contest, co-sponsored by IPMA and In-plant Impressions.

Hidden deep inside New York's Metropolitan Museum of Art (MET) is an art studio of a different sort—a graphic arts operation responsible for producing high-quality printed pieces in support of the iconic museum. With a four-color Ryobi 784 EP perfecting press, as well as Konica Minolta bizhub PRESS C8000 and C6000 color printers, the busy 11-employee in-plant prints projects the MET's quality-conscious designers can be proud of.

Visitors trying to find their way around New York’s vast Metropolitan Museum of Art (MET) usually end up consulting one of the floor plans available at the admission desks. Unfortunately for the MET’s in-plant, tucked away behind the gift shop, that job had long been out of reach. “We just could not do the job economically on our two-color Komori,” says Richard Peterson, manager of Office Services for the 139-year-old museum. That all changed recently when the 11-employee Printing Services department added a new four-color Ryobi 784 EP perfecting press. Now able to print two-over-two on a larger sheet size, the in-plant has brought those floor plans in-house and is slowly adding other work that previously had to be outsourced.

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